Returning to Williiam Butler Yeats's white magic power for the New Age.

Dear Sophian colleagues and all sages in the world,

This year is special for W.B. Yeats's Summer school because it is already 50 anniversary.

I hope that Yeats's Spirit, the Daimon's magic power is extremely great in this year becaue of his prophecy! I hope that the all unknown sages would welcome to my new publication with Yeats's white magic power. I am sure everything is from God's will, Mother Sophia.
In our cartoon movie for children, there are the hero and heroine, Maruchi and Arachi. They symbolize the masculine and the feminine principles, Yin and Yang, Taigi. Yeats's magic power as the masculine principle may work greatly when the feminine principle can be touched it, "Ah, but peace that comes at length, Came when Time had touched her form."

W.B. Yeats's spirit may be excitied by the new publication comes to open his mystic and prophetic songs meanings? I wish he can help me as I support him finally after I was awakened:

Here is a mystic song for the relationship between the Hero and the Divine Feminine, Immortal Rose, Sophia-Isis in the New Age:


O HEART, be at peace, because
Nor knave nor dolt can break
What's not for their applause,
Being for a woman's sake.
Enough if the work has seemed,
So did she your strength renew,
A dream that a lion had dreamed
Till the wilderness cried aloud,
A secret between you two,
Between the proud and the proud.

What, still you would have their praise!
But here's a haughtier text,
The labyrinth of her days
That her own strangeness perplexed;
And how what her dreaming gave
Earned slander, ingratitude,
From self-same dolt and knave;
Aye, and worse wrong than these.
Yet she, singing upon her road,
Half lion, half child, is at peace. ("Aagainst Unworthy Praise")

I know that there were slanders both W.B. Yeats and the last reincarnation of Daughter Sophia such as self-same dolt and knave, but his honor would be raised as the right time comes as the last reincarnation of Daughter Sophia supports him. She is alone but she has a good pride as we see, "Yet she, singing upon her road, Half lion, half child, is at peace." However, she would come out to fly strongly to come the New Age. As she is coming as the feminine principle, the white magician's magic power also works strongly because the magic power is stronger by unity of the masucline and the feminine principles. Yeats declared the secret of the masculine and the feminine principles, "A secret between you two, / Between the proud and the proud."It shows the relationship between the masculine and the feminine principles.

Finally, it would be coming true that the great white magic power defeats all evils in the world as the Divine Feminine, the Unicorn, colt is coming out and flying highly for the New Age:

THE fascination of what's difficult
Has dried the sap out of my veins, and rent
Spontaneous joy and natural content
Out of my heart. There's something ails our colt
That must, as if it had not holy blood
Nor on Olympus leaped from cloud to cloud,
Shiver under the lash, strain, sweat and jolt
As though it dragged road-metal. My curse on plays
That have to be set up in fifty ways,
On the day's war with every knave and dolt,
Theatre business, management of men.
I swear before the dawn comes round again
I'll find the stable and pull out the bolt. ("The Fascination of What's Difficult")

The colt, the Immortal Rose in the world as Daughter Sophia, who was suffering in the world, will come out as the 50 anniversary of Yeats Summer School comes in this summer 2009, as W.B.Yeats's prophecy showed!

In Light,
Mina

Aeon Byte for "The Explanation of W.B. Yeats's Poetry"

http://thegodabovegod.com/

W.B. Yeats:

June 27 & June 28: Countless people have enjoyed and been inspired by the ethereal poetry of William Butler Yeats. Many have known about his affiliations with the Golden Dawn and other occult groups, or the fact he was a magician and Heremticist. Yet few understand that Yeats was a self-professed Gnostic Sage who secretly wrote about the fall and rise of Sophia, the Indwelling Christ, the rule of the Demiurge, the coming of a New Age and various other themes the ancient heretics contemplated. We study the life of this mystic bard, including his influences and esoteric views. We also decipher his Gnostic Theology hidden deep within his airy poetry that conveys the Ageless Wisdom of the Knowers of the Unknown.

Astral Guest-- Mina Cho, author of 'The Explanation of WB Yeat's Poetry'.

Androgynous God in W.B. Yeats's prophetic poetry

From the early Rose poetry to the last poetry, William Butler Yeats’s poetic world is mystic, prophetic and magic poetry. From his early poetry, Yeats was eager for the feminine principle, the Immortal Rose, Sophia in Christian Gnosticism because he realized there is no longer Androgynous God, Oneself by breaking the balance of the masculine and the feminine principles. He believed that the imbalance of the masculine and the feminine principles brought confliction, mortal and corrupted world so there has been no more peace and immorality. That is Yeats's poetic belief. He opened his religious mind toward various religions if they have the feminine principle regardless Goddess's different names. Therefore, he could study occultism, Hinduism, Buddhism, and esotericism. Although critics have downplayed Yeats's religion, occultism, he had one poetic purpose, which was searching for the Immortal Rose as one of the hidden God's aspects. Why did he search for the Immortal Rose so eagerly from his early Rose poetry? The reason is simple as his coherent theme. Yeats's poetic purpose is to achieve "Unity of Being" which can be achieved by unity of the masculine principle and the feminine principle in Universal God. Therefore, Yeats's poetic theme is one and his "coherent whole but common themes" is to achieve "Unity of Being." However, Yeats realized that the age was androcentric, dominated by the masculine Tirnity, so he should be playing the role of the Masculine principle, a hero or a fool. He realized he was a chosen man.
It was inevitable for him to feel tragedy, because the world was androcentric god's age and he should dedicate to his life for the Immortal Rose, who will come out in the world but until the right time comes, she would be hidden in the world. He understood his doom and the tragic relationship between Yeats and the Immortal Rose, his beloved, the feminine principle, Sophia and Isis. His coherent poetic theme was not changed until his the last poems. He was such a great magician, adept, and passionate man. However, people could not his thought about the Immortal Rose and his ideal world, so he struggled with many obstacles, although he was supported by his unknown instructors and some of mystic friends, such as AE, Horton, Mathers, etc. Even his friend, Mathers refused Yeats's thought and he helped Crowley, who was certainly harmful as a black magician. Yeats faced the worst situation in the world and then he was getting mad at the world. I think people could not agree with Yeats's coherent poetic theme, searching for the Immortal Rose in his age, so he should be waiting for the right time in the future until his beloved comes out and open his mystic poetry. That is why Yeats's poetry must be mystic and magic poetry and there are so many hidden secrets in symbols. Sometimes, Yeats was mad at the worst situation in his age and his beloved, the Immortal Rose’s age in future. He determined to do by himself for rescuing the Immortal Rose as well as his poetic purpose, "Unity of Being." He would be a Daimon after his death, although he also realized he should be waiting for the Immortal Rose in the world after his death because she will be wandering in the world after his death and until her age comes. Yeats understood his heavy burden from his early Rose poetry to awaken the Immortal Rose as the role of the masculine principle, Christ and he should dedicate his life as the jester in “The Cap and Bells” did. Thus, Yeats emphasized that he wore Christ's mask as the masculine principle.
From his early Rose poetry to the last poetry, Yeats's theme is coherent, searching for the Immortal Rose, because the Universal God is androgynous; neither the feminine principle nor the masculine principle is primacy at all. The balance of both powers is a key of Yeats’s God. However, there has been imbalance of the masculine and the feminine principles. Yeats emphasized If humans do not realize God’s androgyny, and the lose part of God, the feminine principle, Sophia in Christian Gnosticism, they could not achieve "Unity of Being. " If people could not achieve “Unity of Being,” they should be reincarnated in the world again and again to study of Beauty and Truth until they realize the Knowledge. That is Christian Gnostic theory to achieve immortality. Byzantium world is the world of Divine Feminine, Mother of God. However, Yeats believed in Universal God as androgynous God. The balance of the masculine and the feminine principles is to be eternal world forever like the Yin and Yang principle.

The Explanation of W.B. Yeats's Poetry-list

List:
Abbreviations

Acknowledgements

Introduction

Chapter 1 Heroic Dream of Dedication for the Immortal Rose

Chapter 2 The Sad Rose as the last reincarnation in the world Chapter 3 The Proud Rose as the Great Judge at the Last Day

Chapter 4 Waiting for the Right Time

Chapter 5 The Immortal Rose as the Animal imagery

Chapter 6 Two Towers as a symbol of the Divine Feminine

Chapter 7 The Achievement of “Unity of Being”

Chapter 8 The Prophetic Poetry for the Victory of Divine Feminine

Chapter 9 Songs for the Christian GnosticismWorks Cited

About the Author-Mina

About the Author: Cho Mina

Mina Cho is a South Korean poet,earning Ph.D. in English Literature fromChung-nam National University inFebruary 1995. Her doctoral dissertation isA Study of Christian Gnosticism in W. B.Yeats’'s Poetry: Based on the GoddessImagery. She has researched WilliamButler Yeats’'s poetry. Mina has publishedthree books of poetry: three poetry books into Korean: The Rite of Wind(1988), Searching for the Tree of Life(1995), The Silence of Love(2001). A member of the Korean Literary Association, the Hundae literary Association, Hosoe Literary Writers’' Association, the Packchee Literary Writer’'s Association, the Yeats Society of Korea, the Korean Society of Literature and Religion, and the English Language and Literature Association of Korea.

The Explanation of W.B. Yeats's Poetry-Introduction

Introduce the book, The Explanation of W.B. Yeats’s Poetry

By Mina Cho

I think all gnostics are my friends.
I also have tried to open Sophia-Isis mysticism with WB Yeats's poetry which is the prophecy for Sophia-Isis of the End of Days. It is the good news for the New Age and the Victory of the Divine Feminine. I wrote the prophetic songs to share with all Sophian Friends and the Gnostics.
My new publication is released for the Divine Feminine with my explanantion of W.B. Yeats's poetry to open the supreme secret. This is my theory to show the white magician, the chosen man, and Sophia's last prophet for the secrets. I believe that the publication of the new book is coming out by Mother Sophia's will and Great Love.
If you are interested in the new book and want to order the book, let me know your address. I will send you it. The price is $20 + (shipping fee). It would be about $25. However, I will send you with only the price of book, by only $20 personally. I also bought my book from the publisher.


Book title: The Explanation of W.B. Yeats's Poetry
by Mina Cho.


About the information of the publisher:

The First Printing: April 30, 2009.

Author: Mina Cho
Publisher: Jongun Chae
Address: Korean Studies Information Co. Ltd.

Home page: Http//www.kstudy.com
Email: Publishing department: http://kr.mc708.mail.yahoo.com/mc/compose?to=publish@kstudy.com

The Explanation of W.B. Yeats's Poetry

Introduction

Yeats’s poetry is built to one body work of his art, so I want to show one body work of his poetry from early to late poetry. His mind was starting to eager for the Immortal Rose and he was looking for her in his whole life. He was metaphysical poet who was followed to his unknown instructors’ instruction. As a metaphysical poet, he borrowed his poetic materials from his whole life experiences, various myths and legends, and his country or other country’s events. For example, Yeats’s main character of his poems are heroine from the various Myths such as Helen of Troy, Countess Cathleen, Niamh, Echtge and the Immortal Rose in Occultism. Also Yeats borrowed his beloved women his real life such as Maud Gonne, Iseult Gonne, Olivia Shakespear, Maggot, Con and Eva and Lady Gregory, and so on.

I have tried to open the secret of Daughter Sophia in the world as I learned the magic and prophetic songs and I was awakened by Yeats's callings. Now I would like to intorduce Yeats's poetry as the magic and prophetic songs. I hope it can be touched by all sages who want to find the Divine Feminine in the world.

Rosemay-Mina