The Dance of Spring Blooms -mina

Feb.18 2010

The Dance of Spring Blooms:

Hello!

From time to time, I have created Sophia songs and I also will create to the response songs for Yeats's mystic and prophetic songs.
It is my dreaming to create the song of the Divine Feminine.
I really understand now what the situation of the Yeats's dilemma in his dreaming as one of the Arthurian Knights.
I hope that the members of his magic societies can understand his magic skills and thoughts but some of them are stubborn and I confirmed they love and follow the magic of A. Crowley.
I hope many sages in the Rosicrucians and Arthurian traditon keepers can be understanding who Yeats was.
They are so arrogant to accept Yeats's magic power in his songs as Mathers did, but I think my dreaming could not failed because there are Christian Gnostics who are humble enough to accept W.B. Yeats's Arthurian traditon.

I hope I can open the secret songs and get over the sages as Yeats prophesied to bring the real Spring.
I have kept Yeats's dreaming, "old sages were not deceived."
Therefore they will be hunters with the Arthurian tradition in the right time.

It is Yeats's dreaming I think.
I am a lonely thing in the western place and culture, but I should be happy in this situation because it is God's will.

I do not know how many responding poems will come in the future and will make a lovely poetry book but I will do the hard work one by one.
I am an idle one in the secular mind because it is difficult to make money.
However, the dreaming will be come true suddenly so we have no time for the New Age.
I should pray for that I should be idle for secular aspect and rather work harder for the Sacred mission with Yeats's dreaming.

The Dance of Spring Blooms
-The response of “Quarrel in Old Age”

By Mina

Should I quarrel with until the old age?
Although I was not in the fifties,
I was just arguing with strangers
With the same story
Over the last ten years,
Why should I quarrel in the older age?
As you prophesied,
I would run all over the world,
In this bitter town,
Like a fantasy or like incident
As I have opened your mystic stories
For the people of the distance,
I just quarrelled with them
And I could not help getting resentful,
While my wandering in the room.
And without any response,
Are you sleeping deeply in a dream?

All lives that live Certainly,
Everything was come and gone involuntary.
Although as your prophecy declared,
Why my heart is so empty endlessly?
I should be just waiting for the unknown souls.
Because in these foolish distorted and hidden days,
The sages should be coming certainly.
Now it is time for us to run to the Spring,
And to the New Age,
So Throw away the indignant mind,
And throw away the foolish things.
In front of their staring eyes,
I am in a trilling dance of the spring blooms
In the last solitary moment.

(By Mina Cho)


*********


QUARREL IN OLD AGE

By W.B. Yeats

WHERE had her sweetness gone?
What fanatics invent
In this blind bitter town,
Fantasy or incident
Not worth thinking of,
put her in a rage.
I had forgiven enough
That had forgiven old age.

All lives that has lived;
So much is certain;
Old sages were not deceived:
Somewhere beyond the curtain
Of distorting days
Lives that lonely thing
That shone before these eyes
Targeted, trod like Spring.

I would like to inform the Aeon Byte to introduce W.B. Yeats's mysticism and Christian Gnosticism! He can awaken his Immortal Rose and the sages in the last generation with his prophetic songs!



Aeon Byte #136-- The Gnostic WB Yeats with Mina Cho, author 'The Explanation of WB Yeats'


Countless people have enjoyed and been inspired by the ethereal poetry of William Butler Yeats. Many have known about his affiliations with the Golden Dawn and other occult groups, or the fact he was a magician and Heremticist. Yet few understand that Yeats was a self-professed Gnostic Priest who secretly wrote about the fall and rise of Sophia, the Indwelling Christ, the rule of the Demiurge, the coming of a New Age and various other themes the ancient heretics contemplated. We study the life of this mystic bard, including his influences and esoteric views. We also decipher his Gnostic Theology hidden deep within his airy poetry that conveys the Ageless Wisdom of the Knowers of the Unknown. Astral Guest-- Mina Cho, author of 'The Explanation of WB Yeat's Poetry'. Topics discussed: --The life and times of Yeats, including his influences and who he influenced. --A detailed analysis of his poetry and how he camouflaged Sophia, the Demiurge and the Indwelling Christ within it. --How Yeats not only believed he was an avatar of the Gnostic Christ but a prophet ushering a New Age when Sophia would literally arrive from the East to heal mankind. --The Irish Magician’s concepts of a Daimonic Man and Unity of Being brought by gnosis. --How Yeats tapped subconsciously tapped into the Nag Hammadi Library, which he never read, while consciously expressing the Gnostic Narratives of the available ‘Pistis Sophia’, ‘The Hymn of the Pearl’, and the Valentinian Cosmogony in symbolical and metaphoric ways. And much more!!!

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Happy New Year for 2010.

The Happier and stronger New Year is the white Tiger's year, 2010, so I would like to celebrate the New Year with Yeats's stronger and greater prophecy in our generation.
I would like to the celebration about the strong year by W.B. Yeats's last poetry:


Whence did all that fury come?
From empty tomb or Virgin womb?
Saint Joseph thought the world would melt
But liked the way his finger smelt. ("A Stick of Incense")


The "fury" is the symbol of the strong power and glory of the Immortal Rose, Sophia-Isis in the last generation of the old age, in our age. It is totally different from the last 2000 years, the androcentric age. What is "empty tomb or Virgin womb? They are symbols of the last 2000 years of the androcentric age. St. Joseph symbolizes the masculine principle, who supports the Divine Feminine. Yeats, the great Daimon also symbolizes as St. Joseph with other Daimons.
What a great joy and glory it is in the short song!

Sophia is wandering on the streets as the power of Lion because she is returning!
Our great prophet, WB Yeats already left his greatest songs to open the arrival of Sophia, the Immortal Rose. He alluded the Nativity of Sophia-Isis in this poem!
He smelt the fragrance of the Immorrtal Rose as a new baby like St. Joseph's experience.

In addition, one of the next last poems, "Hound Voice" he prophesied the coming of the Great New Age by finding the Holy Grail, the dead hare, Sophia-Isis!
The last prophet and priest for Sophia, W.B. Yeats's white magic is spreading with the gyres of time to get over all disastrous affairs of the last old androcentric age.
Happy New Year for the white tiger year, 2010!

In Light and Love,

Mina

Returning to Williiam Butler Yeats's white magic power for the New Age.

Dear Sophian colleagues and all sages in the world,

This year is special for W.B. Yeats's Summer school because it is already 50 anniversary.

I hope that Yeats's Spirit, the Daimon's magic power is extremely great in this year becaue of his prophecy! I hope that the all unknown sages would welcome to my new publication with Yeats's white magic power. I am sure everything is from God's will, Mother Sophia.
In our cartoon movie for children, there are the hero and heroine, Maruchi and Arachi. They symbolize the masculine and the feminine principles, Yin and Yang, Taigi. Yeats's magic power as the masculine principle may work greatly when the feminine principle can be touched it, "Ah, but peace that comes at length, Came when Time had touched her form."

W.B. Yeats's spirit may be excitied by the new publication comes to open his mystic and prophetic songs meanings? I wish he can help me as I support him finally after I was awakened:

Here is a mystic song for the relationship between the Hero and the Divine Feminine, Immortal Rose, Sophia-Isis in the New Age:


O HEART, be at peace, because
Nor knave nor dolt can break
What's not for their applause,
Being for a woman's sake.
Enough if the work has seemed,
So did she your strength renew,
A dream that a lion had dreamed
Till the wilderness cried aloud,
A secret between you two,
Between the proud and the proud.

What, still you would have their praise!
But here's a haughtier text,
The labyrinth of her days
That her own strangeness perplexed;
And how what her dreaming gave
Earned slander, ingratitude,
From self-same dolt and knave;
Aye, and worse wrong than these.
Yet she, singing upon her road,
Half lion, half child, is at peace. ("Aagainst Unworthy Praise")

I know that there were slanders both W.B. Yeats and the last reincarnation of Daughter Sophia such as self-same dolt and knave, but his honor would be raised as the right time comes as the last reincarnation of Daughter Sophia supports him. She is alone but she has a good pride as we see, "Yet she, singing upon her road, Half lion, half child, is at peace." However, she would come out to fly strongly to come the New Age. As she is coming as the feminine principle, the white magician's magic power also works strongly because the magic power is stronger by unity of the masucline and the feminine principles. Yeats declared the secret of the masculine and the feminine principles, "A secret between you two, / Between the proud and the proud."It shows the relationship between the masculine and the feminine principles.

Finally, it would be coming true that the great white magic power defeats all evils in the world as the Divine Feminine, the Unicorn, colt is coming out and flying highly for the New Age:

THE fascination of what's difficult
Has dried the sap out of my veins, and rent
Spontaneous joy and natural content
Out of my heart. There's something ails our colt
That must, as if it had not holy blood
Nor on Olympus leaped from cloud to cloud,
Shiver under the lash, strain, sweat and jolt
As though it dragged road-metal. My curse on plays
That have to be set up in fifty ways,
On the day's war with every knave and dolt,
Theatre business, management of men.
I swear before the dawn comes round again
I'll find the stable and pull out the bolt. ("The Fascination of What's Difficult")

The colt, the Immortal Rose in the world as Daughter Sophia, who was suffering in the world, will come out as the 50 anniversary of Yeats Summer School comes in this summer 2009, as W.B.Yeats's prophecy showed!

In Light,
Mina

Aeon Byte for "The Explanation of W.B. Yeats's Poetry"

http://thegodabovegod.com/

W.B. Yeats:

June 27 & June 28: Countless people have enjoyed and been inspired by the ethereal poetry of William Butler Yeats. Many have known about his affiliations with the Golden Dawn and other occult groups, or the fact he was a magician and Heremticist. Yet few understand that Yeats was a self-professed Gnostic Sage who secretly wrote about the fall and rise of Sophia, the Indwelling Christ, the rule of the Demiurge, the coming of a New Age and various other themes the ancient heretics contemplated. We study the life of this mystic bard, including his influences and esoteric views. We also decipher his Gnostic Theology hidden deep within his airy poetry that conveys the Ageless Wisdom of the Knowers of the Unknown.

Astral Guest-- Mina Cho, author of 'The Explanation of WB Yeat's Poetry'.

Androgynous God in W.B. Yeats's prophetic poetry

From the early Rose poetry to the last poetry, William Butler Yeats’s poetic world is mystic, prophetic and magic poetry. From his early poetry, Yeats was eager for the feminine principle, the Immortal Rose, Sophia in Christian Gnosticism because he realized there is no longer Androgynous God, Oneself by breaking the balance of the masculine and the feminine principles. He believed that the imbalance of the masculine and the feminine principles brought confliction, mortal and corrupted world so there has been no more peace and immorality. That is Yeats's poetic belief. He opened his religious mind toward various religions if they have the feminine principle regardless Goddess's different names. Therefore, he could study occultism, Hinduism, Buddhism, and esotericism. Although critics have downplayed Yeats's religion, occultism, he had one poetic purpose, which was searching for the Immortal Rose as one of the hidden God's aspects. Why did he search for the Immortal Rose so eagerly from his early Rose poetry? The reason is simple as his coherent theme. Yeats's poetic purpose is to achieve "Unity of Being" which can be achieved by unity of the masculine principle and the feminine principle in Universal God. Therefore, Yeats's poetic theme is one and his "coherent whole but common themes" is to achieve "Unity of Being." However, Yeats realized that the age was androcentric, dominated by the masculine Tirnity, so he should be playing the role of the Masculine principle, a hero or a fool. He realized he was a chosen man.
It was inevitable for him to feel tragedy, because the world was androcentric god's age and he should dedicate to his life for the Immortal Rose, who will come out in the world but until the right time comes, she would be hidden in the world. He understood his doom and the tragic relationship between Yeats and the Immortal Rose, his beloved, the feminine principle, Sophia and Isis. His coherent poetic theme was not changed until his the last poems. He was such a great magician, adept, and passionate man. However, people could not his thought about the Immortal Rose and his ideal world, so he struggled with many obstacles, although he was supported by his unknown instructors and some of mystic friends, such as AE, Horton, Mathers, etc. Even his friend, Mathers refused Yeats's thought and he helped Crowley, who was certainly harmful as a black magician. Yeats faced the worst situation in the world and then he was getting mad at the world. I think people could not agree with Yeats's coherent poetic theme, searching for the Immortal Rose in his age, so he should be waiting for the right time in the future until his beloved comes out and open his mystic poetry. That is why Yeats's poetry must be mystic and magic poetry and there are so many hidden secrets in symbols. Sometimes, Yeats was mad at the worst situation in his age and his beloved, the Immortal Rose’s age in future. He determined to do by himself for rescuing the Immortal Rose as well as his poetic purpose, "Unity of Being." He would be a Daimon after his death, although he also realized he should be waiting for the Immortal Rose in the world after his death because she will be wandering in the world after his death and until her age comes. Yeats understood his heavy burden from his early Rose poetry to awaken the Immortal Rose as the role of the masculine principle, Christ and he should dedicate his life as the jester in “The Cap and Bells” did. Thus, Yeats emphasized that he wore Christ's mask as the masculine principle.
From his early Rose poetry to the last poetry, Yeats's theme is coherent, searching for the Immortal Rose, because the Universal God is androgynous; neither the feminine principle nor the masculine principle is primacy at all. The balance of both powers is a key of Yeats’s God. However, there has been imbalance of the masculine and the feminine principles. Yeats emphasized If humans do not realize God’s androgyny, and the lose part of God, the feminine principle, Sophia in Christian Gnosticism, they could not achieve "Unity of Being. " If people could not achieve “Unity of Being,” they should be reincarnated in the world again and again to study of Beauty and Truth until they realize the Knowledge. That is Christian Gnostic theory to achieve immortality. Byzantium world is the world of Divine Feminine, Mother of God. However, Yeats believed in Universal God as androgynous God. The balance of the masculine and the feminine principles is to be eternal world forever like the Yin and Yang principle.

The Explanation of W.B. Yeats's Poetry-list

List:
Abbreviations

Acknowledgements

Introduction

Chapter 1 Heroic Dream of Dedication for the Immortal Rose

Chapter 2 The Sad Rose as the last reincarnation in the world Chapter 3 The Proud Rose as the Great Judge at the Last Day

Chapter 4 Waiting for the Right Time

Chapter 5 The Immortal Rose as the Animal imagery

Chapter 6 Two Towers as a symbol of the Divine Feminine

Chapter 7 The Achievement of “Unity of Being”

Chapter 8 The Prophetic Poetry for the Victory of Divine Feminine

Chapter 9 Songs for the Christian GnosticismWorks Cited